ADULT. DETROIT HOUSE GUESTS
Let us explore new modes of music making. Let us take the intensity of the studio session and drop it into the home. If the "avant-garde" is thought to be un-domestic then what impact does this domestic situation have on the shape and sound of our project? Can the radical even exist inside the domestic? It's so private in the home. How vulnerable are we? Are the shades down and the curtains drawn? Can we become out of order? A rug turned at a slight angle, resisting not to straighten it as you pass by. The merger of soft and dark sides, melodic voices and angular jabs, organic and pre-programmed, dinner parties and carry out. A dislocated and disjointed dance.
And now some sheet reviews:
Guests get up in the morning raving about how buttery the sheets feel and don't believe me when I tell them where I got them and what I paid. The sheets are full of tiny little holes. Not only are there holes but there's some mysterious orange stains scattered throughout the sheets. They are a bit green in color and not necessarily what I would call grey. My biggest criticism is that they attract hair, especially pet hair. I am fairly impressed by the look and feel of these sheets. Just as a caution, I ordered the beige and they are definitely light yellow Worst sheets ever. They are so thin, so hot, and the pillowcase ripped when I tried to put a thin pillow in it. The fancy I say "fancy" loosely, border is not even finished on the back of sheets. I hated these sheets. These are the most soft sheets I have ever slept upon. I feel like a Care Bear up in the clouds or Snuggles from the fabric softener commercial. The "Grey" color was more of a grey-olive color
"Deviation of the logical function from it's usual pattern" - André Breton
ABOUT: DETROIT HOUSE GUESTS
The Detroit House Guests project concept was conceived in the early 2000s and became a reality in 2014 after receiving a John S. and James L. Knight Foundation grant. The project was based on the "visual" artist residency model but for musicians. Each musician would come for up to a three week period with the parameter that we live, work and collaborate together. The results - a total anthropological sound experiment and a full length album. ADULT. is the Detroit duo Nicola Kuperus and Adam Lee Miller. They played their first live show together in Germany in 1997 under the name Artificial Material. In early '98 they released their first 12" under the moniker Plasma Co. Later that year, they released their first 12" under the name ADULT. Currently, they have released six albums and 19 EPs or singles on Ghostly International, Thrill Jockey, Clone Records as well as on their own label Ersatz Audio, (which currently has over 40 releases since it was founded in '95) They have remixed over 20 acts as well, including Tuxedomoon, John Foxx, Death in Vegas and Pet Shop Boys (for Moog Music).
Kuperus and Miller also make sculpture, paintings, films, photographs, performances, videos and installations. They strive to intersect the lines between art and audio. They have exhibited their work at institutions such as the Austrian Cultural Forum (NY), Mattress Factory (Pittsburgh), Detroit Institute of Arts (Detroit), MOMAS (Saitama, Japan) and Centre d'art contemporain de Meymac (FR). They have shown their film The Three Grace(s) triptych at places such as Anthology Film Archives (NY), Distrital Film Festival (Mexico City) and Grey Area for Art and Technology (SF).